Articles by: @cassietongue

Cassie is a theatre critic and arts writer in Sydney. She studied communication and media at the University of Newcastle, where she began honing her professional writing and critical analysis skills, as well as publishing creative works in several journals and magazines. She has previously reviewed music and theatre for numerous online hubs including LiveGuide, BroadwayWorld Australia, and Time Out Sydney. Cassie can usually be found in a theatre foyer somewhere soaking up the atmosphere.

Follow Cassie on Twitter: @cassietongue

Article list:

Review: Jumpy, Sydney season

Brenna Harding and Jane Turner in Jumpy. Photo by Brett Boardman.

Jane Turner is the heart and soul of Jumpy, a Melbourne Theatre Co production presented by Sydney Theatre Co that has just landed at the Drama Theatre.  She is Hilary, fifty years old and floundering as a parent, a professional, and a partner, and Turner is hapless and sweetly bewildered…

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Review: riverrun, Sydney Theatre Company

Olwen Foueré in riverrun. Photo by Colm Hogan, Adelaide Festival of Arts

Olwen Fouéré’s riverrun, her winding monologue that brings shape to some part of the literary beast that is James Joyce’s Finnegan’s Wake, is a curious work that actively encourages you to turn off your brain. It begins as a smooth, puzzling struggle.Fouéré is the voice of the river, taking her inspiration and…

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A Quick Chat With Maggie Scott

Insomniac Theatre's Jerry and Tom. Photo by GiGee Photography

Who doesn’t love a black comedy? Insomniac Theatre is bringing one to Balmain in the form of Rick Cleveland’s Jerry and Tom. We caught up with director Maggie Scott to find out more about her, and about the play, in the Q&A below. How would you describe your job to an…

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An Australian first: The Nick Enright Songbook

The Nick Enright Songbook is now available.

On Sunday night, Sydney’s Eternity Playhouse was full to bursting for the launch of The Nick Enright Songbook, a record of one of Australia’s best lyricists, a tangible, teachable reminder of Enright’s impact on the Australian musical theatre canon. The Songbook, which features 50 of the 250-odd songs Enright composed in…

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Review: Aida, Handa Opera on Sydney Harbour

Aida on Sydney Harbour. Image by Prudence Upton.

Handa Opera on Sydney Harbour is now in its fourth year. An exaggerated, exuberant opera staging on an outdoor stage overlooking Sydney’s genuinely beautiful harbour. After La Traviata, Carmen, and Madama Butterfly, this year it’s Aida’s turn to have the spectacle treatment on the Fleet Steps. And make no mistake…

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Review: Les Misérables, Sydney season

Les Miserables Australia. Image by Matt Murphy.

It’s an epic musical, a towering behemoth from the 1980s – an era that spawned plenty of them, like Cats and Phantom of the Opera – but Les Misérables , a sung-through, all-feeling story of love, injustice, and striving for liberation and redemption in dark times, feels like the biggest…

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Violet announced for Hayes Theatre in 2015

Violet-SocialMedia-Icon1

Violet, with book and lyrics by Brian Crawley (A Little Princess) and music by Jeanine Tesori (Fun Home, Thoroughly Modern Millie, Caroline or Change), will find a home at Sydney’s Hayes Theatre Co in November 2015. Based on the short story “The Ugliest Pilgrim” by Doris Betts, Violet tells the story…

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