If you haven’t been to an Expressions Dance Company (EDC) show, you are missing some of the most evocative performances in Brisbane; even if dance is not your ‘thing’, actually, especially if dance is not your thing. Under the Artistic Direction of Natalie Weir, EDC is a group of supremely talented physical performers, who manipulate… Read more.
Asian-Australians have been part of the cultural fabric of our society for generations, so it is baffling to contemplate the level of racism and ignorance that is still levelled against anyone who looks Asian, even if they were born in Nambour on the Sunshine Coast and only speak English. Not only do the taunts of… Read more.
An exciting and evocative experience that shouldn’t be missed, the Centre for Australasian Theatre based in Far North Queensland and the multi-cultural collective of Darahrouge from West Java have come together to create Cargo Club now playing at Metro Arts for the BrisAsia Festival. Issued with Global Citizen Passports, a gathering of strangers journeys down… Read more.
Two Yonis, one beautiful, one bashful, fall in love in the Bollywood-style epic, The Adventures of Yoni 1 & Yoni 2. For those not in the know, yoni is the Hindi word for vagina and we quite literally watched a musical starring two muffs, not metaphorical ones but larger-than-life lady-bits with legs and arms and… Read more.
I’m hopelessly devoted to the gorgeous Le Gateau Chocolat and the super-sexy Jonny Woo and not just because they performed the most outstanding Grease revival to grace the last few decades of Danny and Sandy iconography. The entire audience sang merrily along, doing actions and all. These divine divas are the very epitome of what… Read more.
The Travelling Sisters and their motley crew of crazy characters stormed into town (literally) this month for a spin around the Bleaches (behind the scrumptious Bens Burgers in West End). It turned out to be a chaotic hour of at times inaudible fun (thanks Mother Nature for the thunderous applause). A somewhat pared back show… Read more.
The last time I saw Women in Voice (WIV) was the early nineties when they played at the Sitting Duck Café in West End. From the depths of my time-addle-memory I recall a second-story venue on Boundary Street thronging with young, fabulous feminists; the who’s-who of Brisbane’s spunky, punky chicks sporting Doc Martins, overalls-with-attitudes and… Read more.
Like a baseball player calling his shot, Sam Strong stepped up to the plate of the Queensland Theatre Company (QTC) Artistic Directorial-ship in 2015 with a clear vision for the beloved state theatre company: to lead the charge in fostering national collaboration, to challenge interstate rivalries and the notion of ‘owning’ talent as well as… Read more.
An achingly slow ceiling fan stirs trouble into the pea-soup air of a musty, humid summer on Elysian Fields, the allegorical destination of Blanche Dubois (Bridie Carter) – Elysian, referencing the land of the dead. Dubois’ ‘desires’ apparently lead her right there as she arrives destitute at her sister Stella’s (Ngoc Phan) home, seeking sanctuary… Read more.
The image of Loie Fuller’s billowing flower-like, pink-hued sleeves captured in the 1896 film La Danze Serpentine by the Lumiere brothers is infamous even a hundred years later. This hypnotic image is the starting link in a surprising chain that stretches back to a famous writer in 15th century Japan, caught between his western celebrity and… Read more.