Cloning the Self: Chenturan Aran on THE SUPPOSED TO BE
The Supposed To Be arrives as a sharp disruption to the familiar rhythms of migrant storytelling, trading nostalgia for speculative
Read MoreThe Supposed To Be arrives as a sharp disruption to the familiar rhythms of migrant storytelling, trading nostalgia for speculative
Read MoreAustralia’s major musical theatre stages have long promised audiences something increasingly rare, a live event built on the chemistry of
Read MoreFew works in the musical theatre canon have endured quite like The Pirates of Penzance. Gilbert and Sullivan’s beloved comic
Read MoreTheatre has long been a space for interrogating the figures history chooses to celebrate — and the ideas society once
Read MoreThere is a moment at the beginning of many great love stories when everything changes. For Arthur and Jane, in
Read MoreContemporary dance has a unique ability to communicate what words often cannot — using movement, physicality, and image to explore
Read MoreThere is a particular kind of exhaustion that comes from having too much to watch and too little to feel.
Read MoreMichael Gow has spent decades writing about the pull of home. This June, he’s finally letting it pull him back.
Read MoreYasmina Reza’s Art has a deceptively simple premise: one man buys an expensive white painting, and his two oldest friends
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