Staging a one-person theatre production presents many challenges; it demands an engaging script and a versatile actor who can capture the attention of the audience for the entire duration of the show. This year’s The Testament of Mary, by Sydney Theatre Company ran into such a conflict (where despite a very good performance, its script… Read more.
It’s 1936, you’re standing on the balcony of the Kookaburra Queen Paddleboat, enjoying the cool night breeze, the water lapping around the boat, and the sounds of cool jazz wafting up from the cocktail party down below. Suddenly one of the characters is murdered, the boat is crawling with detectives, and everyone is summoned to… Read more.
Some people in our lives leave us with marks, both seen and unseen. Merlynn Tong’s play Blue Bones is a poignant exploration of the psychology of domestic violence, relationships and survival. When Merlynn goes to the doctor, x-rays reveal scars on her bones left by a violent ex-boyfriend she had in her mid-teens. This unearths… Read more.
Flames launch from the front of the stage, the curtain rises to reveal Rachel Marron (a dazzling Paulini), suspended on a platform above a stage full of dancers in glittering costumes. It’s Whitney Houston’s ‘Queen of the Night’ and this is The Bodyguard. Rachel Marron is an internationally acclaimed film star and singer. She has… Read more.
England, by Tim Crouch, is the story of a woman in a relationship with an art collector who travels the world sourcing paintings, leaving her largely alone as she gets sick and finds out she needs a heart transplant. The two-hander featuring Barbara Lowing and Steven Tandy begins with the audience being undertaking a tour of… Read more.
A new work by one of Australia’s award winning writer/directors, Michael Gow, Once in Royal David’s City is an Epic (in the true theatrical text book sense), Australian story all neatly wrapped up in a red Christmas bow. Now let’s unwrap it. Set in northern New South Wales, Will Drummond (Jason Klarwein), a Brechtian theatre… Read more.
Being in the depths of the Melbourne International Comedy Festival, I was calling Richard 3, by Bell Shakespeare, Chick Dick 3 because Kate Mulvany plays Richard. But no more throw away jokes about having seen a lot of Dicks because this production’s found so much that’s new, relevant and fascinating. Yes it’s ANOTHER work about… Read more.
Romantic comedies are a staple of cinema, but it is rare to find a truly enchanting equivalent in the theatre. Luckily, Belvoir has brought back double bill The Dog / The Cat, an onstage rom-com that sparkles. In two 40 minute plays, loosely tied together by the titular pets in each, the bill examines modern… Read more.
This is the story of a group of actors (now theatre troupe Applespiel) at uni in Woolongong in 2010. Their friend, Jarrod Duffy, disappears a few weeks before they are all due to graduate. Duffy tells no one where he is going and leaves behind a room full of belongings in his share-house with no… Read more.
We have all the time we’ve always had. You’ll still have all of our time, when I’m gone. There’s not going to be any more or less of it. Constellations, written by Nick Payne and directed by Kat Henry for Queensland Theatre 2017 season has many levels of complexity if you want to over-think it… Read more.