Articles on ‘Paula Arundell’

The Bleeding Tree – Wharf Theatre, STC

The Bleeding Tree. Photo by Brett Boardman.

As the lights come down on The Bleeding Tree, silence momentarily consumes the audience. From the first moment, this play demands every ounce of your attention and emotional investment. It’s only as it draws to a close that we are able to fully process what we just witnessed. The play opens on three women: a… Read more.


Disgraced – Sydney Theatre Company

Sachin Joab and Shiv Palekar in Disgraced. Photo by Prudence Upton.

The Pulitzer Prize in Drama is awarded “for a distinguished play by an American author, preferably original in its source and dealing with American life.” Disgraced certainly has plenty to say about dealing with American life, insofar as I can perceive it from Australia; the play is set in a contemporary, post-9/11 New York, and charts… Read more.


Favourite moments in 2015: Sydney theatre

The Bleeding Tree. Photo by Brett Boardman

Theatre critic and AussieTheatre Deputy Editor Cassie Tongue sees hundreds of shows a year. In this piece, she writes about the moments that give theatre its magic: the ephemeral, tantalising seconds and minutes that create a uniquely theatrical sublime. These are not best or worst performances or productions. These are favourites: warm memories of moments, people,… Read more.


Griffin: The Bleeding Tree

The Bleeding Tree. Photo by Brett Boardman

The Bleeding Tree won Angus Cerini the 2014 Griffin Award for New Australian Playwriting and its premiere production is running at Griffin’s Stables Theatre in Sydney. This is theatre made with passion, guts and the conviction that change is not only possible but inevitable. It opens as a woman (Paula Arundell) and her daughters (Shari Sebbens and… Read more.


Review: Suddenly Last Summer, Sydney Theatre Co

Suddenly Last Summer. Image by Brett Boardman.

Tennessee Williams always encouraged the reach for something more in the stage directions of his plays, seeking for an elevated storytelling method and set design that would heighten and reinforce his close explorations of the humanity he best knew: the world of his family and beyond where he grew up, in the American South, writing… Read more.



Review: Macbeth – Sydney Theatre Company

Hugo Weaving as Macbeth. Photo by Brett Boardman.

Walking into this production is like nothing else. The audience (much smaller than usual, only 360 people can fit) sits on the stage, on temporary seating, which is either fine or not comfortable enough, depending on who you ask. In the maw of Sydney Theatre, four rows of seats have been removed, and lighting has… Read more.


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