Articles on ‘Sydney Theatre Company’
History has traditionally been told through the words and stories of men, and the Gospel is no exception. Sydney Theatre Company’s first production of 2017, The Testament of Mary, seeks to counter this by presenting a compelling, unravelling monologue from the perspective of Mary, mother of Jesus (Alison Whyte), that forefronts her maternal humanity in… Read more.
After the week we’ve had and the blow it’s been for women and minority groups everywhere, the idea of escaping to the theatre – that great equalising arena, frequent champion of love and acceptance – is appealing. So it’s a huge disappointment when there’s no relief to be found. Sydney Theatre Company’s Speed-the-Plow just picks up… Read more.
It may be time to retire The Wharf Revue. The current-events inspired sketch-style show has become something of a tradition in the Sydney Theatre Company program, and has built up a rich touring life – but, at last night’s opening night of Back to Bite You, its latest iteration, there was no real bite left in this satirical… Read more.
Sydney Theatre Company and Global Creatures have come together for one of the more exciting announcements we’ve heard in a while: a brand new Australian musical based on a beloved Aussie film. The country’s premier theatre company is staging the world premiere of Muriel’s Wedding the Musical. Writing for the Guardian, critic Luke Buckmaster said “Muriel’s Wedding… Read more.
Iris (a youthful Ashleigh Cummings) is a 14-year-old girl who has recently escaped from boarding school with her two best friends; they were reported missing. She has turned up 48 hours later at a police station while her friends remain missing. Detective Sergeant Flint (a kind Luke Carroll) is set to interview Iris in the… Read more.
Sydney Theatre Company’s new production of Arthur Miller’s All My Sons delves into a family ruined by the second world war, struggling to hold on to each other as they’re torn apart by grief – some of it of their own making. It exposes the experience of men coming back from war to a society… Read more.
Andrew Upton adapted Chekhov’s first play (variously known as Platonov, Wild Honey, Fatherlessness and The Disinherited) into a new work – The Present – and the show premiered at the Roslyn Packer Theatre in 2015 starring Cate Blanchett and Richard Roxburgh, playing to almost 45,000 people. The production was so popular that the run sold out, and it was confirmed… Read more.
Less than 12 months after assuming the top job at Sydney Theatre Company, Britain’s Jonathan Church has resigned as Artistic Director of NSW’s flagship theatre company. Sydney Theatre Company issued a press release yesterday saying Church had “stepped down” from the role of Artistic Director after it was no longer “viable” for him to continue…. Read more.
Imara Savage knows her way around a comedy. In her hands Hay Fever, the Noel Coward classic currently holding court at Sydney Opera House’s Drama Theatre, feels surprisingly, merrily, sharp. Heather Mitchell is Judith Bliss, a mostly-retired veteran of the theatre who carries herself as though the whole world really is a stage. Her new… Read more.
The Pulitzer Prize in Drama is awarded “for a distinguished play by an American author, preferably original in its source and dealing with American life.” Disgraced certainly has plenty to say about dealing with American life, insofar as I can perceive it from Australia; the play is set in a contemporary, post-9/11 New York, and charts… Read more.