Review: Kinski and I, Sydney Fringe Festival
German actor Klaus Kinski (1926-1991) was an emotionally unstable, self-proclaimed sex addict. His autobiography recounted, in gleeful detail, his appallingly
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Author: Jeannette Delamoir
Sydney Fringe: Slut
Slut is a short and snappy Fringe Festival contribution, directed by Natarsha Wrensted who has melded a great ensemble from
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Review: Brandenburg’s French Baroque with Circa
This inspired program is something very special. It brings together the Australian Brandenburg Orchestra, French soprano Claire Lefilliâtre, and seven members
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Review: Ghost Stories, Sydney Opera House
Really, there’s not a lot I can say about this play. Not because I can’t think of anything to say, but
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Review: Bajazet, Pinchgut Opera
There’s no doubt that audiences are challenged by double-crosses and deceit of the story told in Vivaldi’s opera Bajazet. But
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Circa and Brandenburg Orchestra: Music takes flight
It seems at first like an improbable idea, combining circus with the courtly music of the Baroque era. Sure, circuses
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Review: Like Me, Mongrel Mouth
Like Me, a Mongrel Mouth production directed by Duncan Maurice, is strange. Grotesque. Unnerving. Disorienting. Confronting. And it’s all around me.
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Review: Triassic Parq, Seymour Centre
“A community in crisis leads to doubt,” the dinosaurs sing. And—they tell us—doubt leads to chaos. As the singing, dancing
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Pinchgut presents Bajazet: Australian première of 1735 opera
We can be fairly sure that Baroque composer Antonio Vivaldi wasn’t completely happy with his opera Bajazet in the weeks
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Review: The Diary of Anne Frank, New Theatre, Newtown
“Despite everything, I believe that people are really good at heart.” This statement—the final words spoken by Anne Frank in
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