An exciting and evocative experience that shouldn’t be missed, the Centre for Australasian Theatre based in Far North Queensland and the multi-cultural collective of Darahrouge from West Java have come together to create Cargo Club now playing at Metro Arts for the BrisAsia Festival. Issued with Global Citizen Passports, a gathering of strangers journeys down… Read more.
Two Yonis, one beautiful, one bashful, fall in love in the Bollywood-style epic, The Adventures of Yoni 1 & Yoni 2. For those not in the know, yoni is the Hindi word for vagina and we quite literally watched a musical starring two muffs, not metaphorical ones but larger-than-life lady-bits with legs and arms and… Read more.
I’m hopelessly devoted to the gorgeous Le Gateau Chocolat and the super-sexy Jonny Woo and not just because they performed the most outstanding Grease revival to grace the last few decades of Danny and Sandy iconography. The entire audience sang merrily along, doing actions and all. These divine divas are the very epitome of what… Read more.
The Travelling Sisters and their motley crew of crazy characters stormed into town (literally) this month for a spin around the Bleaches (behind the scrumptious Bens Burgers in West End). It turned out to be a chaotic hour of at times inaudible fun (thanks Mother Nature for the thunderous applause). A somewhat pared back show… Read more.
The last time I saw Women in Voice (WIV) was the early nineties when they played at the Sitting Duck Café in West End. From the depths of my time-addle-memory I recall a second-story venue on Boundary Street thronging with young, fabulous feminists; the who’s-who of Brisbane’s spunky, punky chicks sporting Doc Martins, overalls-with-attitudes and… Read more.
Like a baseball player calling his shot, Sam Strong stepped up to the plate of the Queensland Theatre Company (QTC) Artistic Directorial-ship in 2015 with a clear vision for the beloved state theatre company: to lead the charge in fostering national collaboration, to challenge interstate rivalries and the notion of ‘owning’ talent as well as… Read more.
An achingly slow ceiling fan stirs trouble into the pea-soup air of a musty, humid summer on Elysian Fields, the allegorical destination of Blanche Dubois (Bridie Carter) – Elysian, referencing the land of the dead. Dubois’ ‘desires’ apparently lead her right there as she arrives destitute at her sister Stella’s (Ngoc Phan) home, seeking sanctuary… Read more.
The image of Loie Fuller’s billowing flower-like, pink-hued sleeves captured in the 1896 film La Danze Serpentine by the Lumiere brothers is infamous even a hundred years later. This hypnotic image is the starting link in a surprising chain that stretches back to a famous writer in 15th century Japan, caught between his western celebrity and… Read more.
La Boite’s Straight White Men, now playing at the Roundhouse theatre, seems an unlikely pick for this progressive company – but this is echoed in Young Jean Lee’s genesis for the play. She started by asking herself a question: “‘What’s the last show in the world I would ever want to make?’ and a play about… Read more.
Perfectly balanced between provocation and parody, We Get It! (Rachel Perk, Marcel Dorney) burst onto the stage at the Brisbane Powerhouse last week with a brash and pointed reminder about the experiences of women in theatre. This powerful show is a satirical take-down of a culture that still objectifies and demeans its female counterparts in… Read more.