Aloha AussieTheatre world! Although it seems as though I have fallen off the face of the earth, the last few months have been a time of incredible adventure; I won the TDP/ ASCAP Bound for Broadway Scholarship for 2017- New York here I come! (Watch this space), saw many amazing productions (Go and see Big… Read more.
“The only reason to write is from love”- Stephen Sondheim. Being a part of a new musical is a unique creative process for almost everyone involved. While it is by no means an easy feat, new works are so necessary in the development of our industry and the identity of the Australian music theatre scene…. Read more.
The Australian Ballet’s latest work is a frank love letter to one of the form’s legendary dancers. Vaslav Nijinsky changed dance forever with his explosive leap and his shockingly sensual choreography, before a dark descent into madness ended his career. Choreographer John Neumeier (Director Hamburg Ballet), charts Nijinsky’s rise and fall in Nijinsky – a… Read more.
Opening last week in Melbourne, Pursued by Bears’ production of First Date introduces us to principal characters Casey and Aaron as they embark on a blind date. I had the privilege of speaking to Rebecca Hetherington and Jordon Mahar, the actors bringing Casey and Aaron to life, about all things First Date. The first thing Rebecca Hetherington told… Read more.
Sydney’s Hayes Theatre, arguably the most important thing to happen to Australian musical theatre in decades, is set to announce the cast of the Australian premiere of Side Show on Sunday 7 August! But before that, don’t you want to see who’s been submitting audition tapes? We’ve had Krizak and Vilar, Hayes and Cole, and now…. Mulcahy and Harbridge??… Read more.
On the opening night of the UK’s Almeida production of King Charles III in Sydney, a uniquely Australian reaction rippled through the audience. “It’s Will and Kate,” said a character, and laughter erupted from the crowd, the laughter of anticipation. The very act of introducing the young royals on stage seemed to signal one thing… Read more.
Threnody; noun, plural, a poem, speech or song of lamentation for the dead. Threnody is an experimental new musical written and directed by a team of 2013 NIDA graduates headed by Michael McStay, and on show at the Vanguard in Sydney on September 2 as a part of the Sydney Fringe. The show follows a Crime… Read more.
Walking down the darkened alleyway of Melbourne’s Carson Place and up a dimly lit stairwell, you could be forgiven for thinking you were entering The Butterfly Club. But from 14 –19 July, you will be in fact, walking into The 27 Club. It is neither hell nor purgatory. It is a whiskey-filled den where the lives, deaths, interviews and… Read more.
It seems at first like an improbable idea, combining circus with the courtly music of the Baroque era. Sure, circuses have music … but it’s not usually elegant Baroque music played on period instruments. And yet Circa and French Baroque—in Sydney and Melbourne during July and August—is indeed a collaboration between circus company Circa and… Read more.
We can be fairly sure that Baroque composer Antonio Vivaldi wasn’t completely happy with his opera Bajazet in the weeks before the première at Verona in 1735. We know this because Erin Helyard—Artistic Director of Sydney’s Pinchgut Opera—travelled to Italy on the trail of this almost forgotten opera. In a Turin library, he examined… Read more.