Look at the old girl now, fellas. Mrs Dolly Levi, born Gallagher, is back on the Melbourne stage in a glossy, if somewhat scaled down, production of Golden Age classic Hello, Dolly!. Back in 2002, Hello, Dolly! was an unfortunate low point in The Production Company’s short history. Dim lighting, uninspired choreography and a leading… Read more.
Shining, shimmering, splendid, Aladdin transports audiences on a magic carpet ride to a whole new world of kaleidoscopic intensity. Looking pleasingly pristine and perfectly polished in Her Majesty’s Theatre, Melbourne, Aladdin offers plenty of bang for your theatregoing buck. The result of the handiwork of some of Broadway’s most talented practitioners, the stage musical takes… Read more.
The Roald Dahl classic, The Witches, is brought to life in a lively one-man 45-minute show at SunPAC. It’s the story of a heroic little boy’s fight against evil witches who are planning to squelch out all the children in the world. Actor Christian Charisiou does a wonderful job of delivering a highly physical performance…. Read more.
As part of their Maestro series, the Queensland Symphony Orchestra presents Haydn and Sibelius. Robert Trevino is a rapidly emerging American conductor and is making his Australian debut as guest conductor for the Queensland Symphony Orchestra. He has worked with orchestras including the Munich Philharmonic, London Philharmonic, San Francisco Symphony, St Petersburg Philharmonic, and many… Read more.
Melbourne’s had the opportunity to see two adaptions of Frank Wedekind’s 1891 play Spring Awakening this month. StageArt’s production of the 2006 musical – which won eight Tonys, including Best Musical – is the better known and opened at Chapel off Chapel on the weekend that Daniel Lammin’s powerful Awakening closed its second season to… Read more.
“Words, words, words! I’m so sick of words I get words all day through.” This was always my favourite song from Lerner and Lowe’s My Fair Lady. Even with misguided-teen romance-goggles, I appreciated Eliza’s frustration with being told what to do, think and say. Show her! Show me! Show us! Which is hard to do… Read more.
A need for strong female representation arrives at the forefront of today’s entertainment context; to pursue well-rounded characters, and not reduce them to plot tools (the Bechdel Test is an example of how character tests are frequently applied to films/TV shows). It is a real testament to Dorothy Hewett’s 1972 play, The Chapel Perilous –… Read more.
There are only two truths when contemplating a Pentimento offering: firstly, you never know what you are walking in to and secondly, you will love the hell out of whatever you find. The Timekeeper’s Opus fulfills both these predictions providing an extra special element unavailable at the usual Svenson fare. An eleventh-hour creation to replace… Read more.
Fresh from seasons of Cat and Two Sisters (there were casting issues, don’t ask), the Cornley Polytechnic Drama Society presents a season of the murder mystery, The Murder at Haversham Manor. The poor cast was plagued by disaster after disaster- slow lighting cues, misplaced props, forgotten lines and many injuries, yet they displayed impressive perseverance… Read more.
On Friday evening (12 May) a group of Anywhere Theatre Festival patrons fell down a rabbit hole into a mysterious world hidden in the after-hours space of the Brisbane Museum. Finding ourselves quickly recruited by a menagerie of characters, wild and wonderful, we were tasked with solving what vexed them, to fend off the impending… Read more.