PHANTOM has not closed for good says Really Useful Group

The Stage UK provides more clarity on claims that the West End production of The Phantom of the Opera is permanently closing its doors after catching up with Jessica Koravos earlier today.

Andrew Lloyd Webber’s Really Useful Group has moved to quash reports that The Phantom of the Opera has closed permanently and has insisted the “brilliant original” will be returning to the West End.

The Really Useful Group president Jessica Koravos has commented that reports that Phantom had closed permanently, based on an interview Cameron Mackintosh gave to the Evening Standard, were wrong and that the show was only being closed to allow works to be carried out to both the show’s set and the theatre where it has been performed for 34 years.

She said the musical would return unchanged, using the work of the original creative team, including director Hal Prince and designer Maria Björnson, and added that when the show returns it will “indisputably be the longest-running musical in the West End”.

What Cameron was meaning to say is, we have closed down the production entity that has been that [production of] The Phantom of the Opera for 34 years, and closed down the physical production. Even before the pandemic hit, we were already in a process of going carefully through the physical production, some parts of it already having been decommissioned, she said, adding, there are systems in that set you could not get the replacement parts for me any more – they just aren’t made after 34 years.

She said a period of closure was needed to renovate the physical production but the Really Useful Group had anticipated that being “several years in the future, not immediate”.

“Then the pandemic happened and there was no way we would be able to finance two periods of closure,” she said.

She explained that, once work began to inspect the set, it transpired that the fabric of the building underneath also needed work.

“So we have two layers of work that need to happen – to build a whole new set, essentially, and to do repairs on the building, which we can’t get the full measure of until all the set is out,” she said.

Koravos also confirmed the musical would return to Her Majesty’s Theatre and that it would be the original version.

We are in the process of designing and costing it now, but all the modern technology that exists now and didn’t 35 years ago will be incorporated. It will be Maria Björnson’s design, it will the original version. It is not a new version of the show – it will be the original Phantom, she said.

She added that this would be the first production of the show to open without the involvement of the original creative team.

“A fourth challenge, in addition to the set, the building and pandemic is that most of the original creative team are dead, so this will be the first Phantom production that happens completely without the involvement of Hal Prince. But people who were his associates and were very involved and will step up into the lead positions,” she said.

Original story reported by Matthew Hemley for The Stage.

Peter J Snee

Peter is a British born creative, working in the live entertainment industry. He holds an honours degree in Performing Arts and has over 12 years combined work experience in producing, directing and managing artistic programs & events. Peter has traversed the UK, Europe and Australia pursuing his interest in theatre. He is inspired by great stories and passionately driven by pursuing opportunities to tell them.

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