The Australian Ballet and GWB Entertainment today announced that charismatic Broadway and West End leads Robert Fairchild and Leanne Cope will reprise their show-stopping turns as the American GI Jerry Mulligan and the young Parisian dancer Lise Dassin in Australia in An American In Paris, with two of the country’s leading lights Cameron Holmes and Dimity Azoury from The Australian Ballet, to alternate in the lead roles.
The four-time Tony Award-winning Broadway musical, based on the classic movie with music and lyrics by George and Ira Gershwin, features an outstanding Australian cast and ensemble drawn from the worlds of musical theatre and ballet, including theatre royalty Anne Wood as Madame Baurel, David Whitney (The Merry Widow, West Side Story on Sydney Harbour) as Monsieur Baurel, Ashleigh Rubenach (Cry-Baby, Muriel’s Wedding: The Musical) as Milo Davenport, Jonathan Hickey (Sweeney Todd, Aspects of Love) as Adam Hochberg, and Sam Ward (The Ten Tenors, Jesus Christ Superstar) as Henri Baurel.
Audiences in Brisbane, Adelaide, Perth, Melbourne and Sydney will have a once in a lifetime opportunity to experience the extraordinary talents of Robert Fairchild, Leanne Cope, Cameron Holmes and Dimity Azoury as they take to the stage in this buoyant, beautiful and breathtaking production from January 2022, with tickets in all states on sale from Thursday 11 November.
Robert Fairchild made his Tony Award-nominated Broadway debut in 2015 in An American In Paris, and then reprised it
in London’s West End. He was awarded the Drama Desk, Outer Critics Circle, Theater World, National Dance and Astaire Award for this performance and was nominated for the Evening Standard and Drama League Awards. From 2009 to 2017, Fairchild performed as a Principal Dancer with the New York City Ballet.
Leanne Cope is a British Tony and Grammy Award-nominated dancer and actor and originated the role of Lise Dassin in the Broadway and West End productions of An American in Paris. She began her career at the Royal Ballet, where she was First Artist, after graduating from the Royal Ballet School.
This is a very special show and I feel privileged to bring Lise Dassin to Australia. I’ve never been before and I’m really looking forward to meeting everyone and starting rehearsals. Get me on that plane as soon as possible!”
I’ve gotten to be part of this show from the beginning, from Paris, to Broadway, to London and to now take it to Australia is incredible. I can’t wait to share this magical show.
Dimity Azoury is one of Australia’s prima ballerinas – she is a Principal Artist of The Australian Ballet and regularly
performs leading roles with the company. A graduate of The Australian Ballet School in 2005, she was accepted into
The Australian Ballet in 2008, and has performed across Australia as well as travelling with the company to Paris, London, New York, Japan, San Francisco and Los Angeles. Dimity was promoted to Soloist in 2015 following her debut as Baroness von Rothbart in Graeme Murphy’s Swan Lake, to senior artist in 2017 and to Principal Artist in 2019.
Cameron Holmes started dancing at the age of three at his mother’s dance school, Donna Jean’s Danceforce and performed as Young Billy in Billy Elliot the Musical when he was eight years old. He progressed to full-time ballet training at Tanya Pearson’s Classical Coaching Academy in 2016 and joined The Australian Ballet in 2018. He first performed with The Australian Ballet in its 2017/18 season of Storytime Ballet: The Sleeping Beauty.
After 14 years with The Australian Ballet, I’m excited to step away for a time and into the musical theatre world with this acclaimed production – what an exciting, enriching opportunity.
I’m so thrilled to be performing in An American in Paris – it combines my two passions of ballet and theatre. The role of Jerry is so unique and challenging and I can’t wait to make my debut.
A golden girl of music theatre, Anne Wood has dozens of roles to her name after beginning her career in the original Melbourne production of Cats. She also spent three years playing the lead role of Donna in Mamma Mia! David Whitney’s numerous music theatre credits include The Merry Widow, West Side Story on Sydney Harbour, My Fair Lady, Funny Girl, Fiddler on the Roof, Rock of Ages, Man of La Mancha, Sunset Boulevard, The Producers, Cabaret, The Phantom of the Opera, A Chorus Line, The Wizard of Oz, Chess and Little Shop of Horrors. Ashleigh Rubenach won Best Female Actor at the Sydney Theatre Awards for her role in Cry-Baby for Hayes Theatre Co/LPD, and has appeared in Anything Goes, My Fair Lady, The Sound of Music and Muriel’s Wedding: The Musical.
Jonathan Hickey most recently played Tobias in TEG’s 40th anniversary production of Sweeney Todd. He has also appeared in Hayes Theatre’s The Fantasticks and Aspects of Love along with multiple productions for Opera Queensland. Sam Ward
has toured with Platinum-selling group The Ten Tenors in Australia and internationally for the past few years. He made his professional debut in 2017 in The Production Company’s Jesus Christ Superstar, and then toured Europe and the Caribbean in Priscilla, Queen of the Desert, playing the role of Frank.
Director and choreographer, Christopher Wheeldon said:
Auditioning for An American In Paris has been a revelation of the wealth of top-level talent in Australia and I feel blessed with the choices we have been able to make in casting the show – never an easy task. This is a truly wonderful group of performers to bring the production to the stage. And to be able to bring Robbie Fairchild and Leanne Cope back to reprise their roles from Paris, Broadway and the West End alongside the superb Australian Ballet duo of Dimity Azoury and Cameron Holmes is the absolute icing on this beautiful cake.
The 33 strong ensemble is comprised of exceptionally talented dancers, singers and actors including Annie Stanford, Mitchell Mahony, Christina Gibbs, Rachael Ward, Chloe Malek, Amba Fewster, James MacAlpine, Rose Shannon Duhigg, Joe Miller, Edward Smith, Joe Meldrum, Francis Lawrence, Sarah Bourke, Lilyana Lloyd, Olivia Castagna, Eli Cooper, Sydney Patterson, Emma Whitefield, Thomas Norman and Emily Corkeron.
Corey Herbert, Jasmin Durham and Jake Mangakahia from The Australian Ballet will all make their music theatre debuts in the production, hailed as a tour de force for its inventive choreography.
The musical won four 2015 Tony Awards including Best Choreography for Christopher Wheeldon, four Drama Desk Awards, four Outer Critics Circle Awards, the Drama League Award for Best Musical, three Chita Rivera Awards and two Theatre World Awards. It was also included on the ‘Year’s Best’ lists of The New York Times, The Wall Street Journal, Entertainment Weekly, The New Yorker, the Associated Press and The Hollywood Reporter.
With a book by Pulitzer Prize finalist Craig Lucas, Tony Award-winner Bob Crowley’s swoon-worthy set and costume design, drawing inspiration from some of France’s most famous artists, Tony Award-winner Natasha Katz’s brilliant lighting designs and astonishing projections by 59 Productions (also Tony Winners for their work on this production), An American In Paris opened to widespread critical acclaim at the Palace Theatre on Broadway in April 2015 after its world premiere at the Théâtre du Châtelet in Paris. It has since gone on to tour London’s West End, Tokyo and Beijing.
The musical score is adapted, arranged and supervised by Rob Fisher, with orchestrations by Christopher Austin, dance arrangements by Sam Davis, musical supervision by Todd Ellison, additional orchestrations by Don Sebesky and Bill Elliott and musical direction by Vanessa Scammell. The Australian production will be realised by Hannah Ryan (Australian Staging), Sean Kelly (Principal Dance Director) and Stuart Winter (Associate Choreographer) with sound design by Kelvin Gedye (System Sound).
An American In Paris is produced in Australia by GWB Entertainment, The Australian Ballet, Stuart Oken, Van Kaplan and Roy Furman by special arrangement with Elephant Eye Theatrical & Pittsburgh CLO and Théâtre du Châtelet.