In a desolate concrete yard where the only hint of humanity is a prefab building on stilts, a naked young body is dumped on the ground. Malthouse Theatre’s Antigone starts with the Classic story, but it’s not Sophocles’s Antigone but an Antigone for now that’s set in an isolated world where political power is its own reward and where there are no gods… Read more.
It started with a dog, in a perspex case, alone on stage. It ended with an elderly ‘Dorothy’ (Eileen Kramer) dancing in a wheelchair. What happened in between made no more sense. Adena Jacobs’ novel appropriation of Frank L. Baum’s classic folklore The Wizard of Oz is a wordless, for the most part, loosely plotted,… Read more.
My uterus is still reacting to The Rabble’s Frankenstein. I say it every time, but no one makes theatre like The Rabble does and Frankenstein is stretching their own boundaries far enough for Malthouse to include content warnings. Read them and you’ll know if you should give it a miss. Working with their actors, co-creators Kate Davis… Read more.
Carousel ponies, huffy walk-outs and a personal trigger warning when you pick up your ticket: The Rabble have adapted the Story of O for the MTC’s sensational Neon season. It’s confronting and confirming and I loved it so much that it hurt a bit to watch. I love The Rabble’s work with the kind of love that defies any… Read more.
Jane Montgomery Griffiths says her adaption of Dorothy Porter's 2004 verse novel Wild Surmise “is an enactment of the act of love that is reading”. Until now, I hadn't read Dorothy Porter. I'm nervous of verse novels; I think they're a bit pretentious. How great to be so wrong. This Malthouse production celebrates Porter and compels a reading of… Read more.
Hamlet, philosophy, temptation, indulgences (the paid for kind), Banksy rats, coffee and the quill. Welcome to Wittenberg, Germany, 1517, and Red Stitch, St Kilda, 2012. Here a young Danish prince, who looks like he’s stepped out of Brideshead Revisited, discusses life (or not), the universe and salvation with his university professors John Faustus and Martin Luther, who, despite… Read more.
Good People was nominated for Best Play at the 2011 Tony’s. It’s damn good writing by David Lindsay-Abaire, and the Australian premiere by Red Stitch made me remember why this company is so damn good. Margie (Andrea Swifte) lives in “Southie”, a poor Boston neighbourhood where she’s just been fired from her job at a dollar store by… Read more.