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Antigone. Emily Milledge. Photo by Pia Johnson

Malthouse: Antigone

In a desolate concrete yard where the only hint of humanity is a prefab building on stilts, a naked young body is dumped on...

The Wizard of Oz — Belvoir

It started with a dog, in a perspex case, alone on stage. It ended with an elderly ‘Dorothy’ (Eileen Kramer) dancing in a wheelchair....

Malthouse: Frankenstein

My uterus is still reacting to The Rabble's Frankenstein.I say it every time, but no one makes theatre like The Rabble does and Frankenstein is stretching...

Story of O: Oh yes, yes, yes

Carousel ponies, huffy walk-outs and a personal trigger warning when you pick up your ticket: The Rabble have adapted the Story of O for the MTC's sensational Neon...

Malthouse: Wild Surmise

Jane Montgomery Griffiths says her adaption of Dorothy Porter's 2004 verse novel Wild Surmise "is an enactment of the act of love that is reading". Until now,...

Hamlet and Faustus mash up

Hamlet, philosophy, temptation, indulgences (the paid for kind), Banksy rats, coffee and the quill. Welcome to Wittenberg, Germany, 1517, and Red Stitch, St Kilda, 2012.Here...

Good People – a terrific start to 2012

Good People was nominated for Best Play at the 2011 Tony's.  It's damn good writing by David Lindsay-Abaire, and the Australian premiere by Red Stitch made...
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