This morning, Sydney Theatre Company Chairman Ian Narev announced that the Executive Producer of Contemporary Asian Australian Performance (CAAP) Annette Shun Wah and respected actor Heather Mitchell (Strictly Ballroom, Spellbinder and more than 30 STC productions since 1981) have joined the board of STC. This comes as outgoing board directors Toni Cody and John Connolly conclude… Read more.
In an interview with the Sydney Morning Herald today, Global Creatures CEO Carmen Pavlovic confirmed that the brand new hit Australian musical Muriel’s Wedding will have a return Sydney season at the Lyric Theatre in July 2019. The world premiere season (co-produced by Sydney Theatre Company) has enjoyed positive reviews and many sold out houses as well… Read more.
Producers Sydney Theatre Company and Global Creatures today released the first cast announcement for their upcoming stage adaption of the smash hit 90’s movie Muriel’s Wedding. Taking on the iconic role of Muriel Heslop will be 20 year old, Melbourne born, newcomer Maggie McKenna. McKenna will be making her professional stage debut after recently returning to Australia… Read more.
As the lights come down on The Bleeding Tree, silence momentarily consumes the audience. From the first moment, this play demands every ounce of your attention and emotional investment. It’s only as it draws to a close that we are able to fully process what we just witnessed. The play opens on three women: a… Read more.
The light comes up on a group of people standing clad in white, backs to the audience. They are holding a plastic shopping bag in each hand. It is an image of naïve heroism – an act of defiance in an attempt to change a nation. It is the image of the ‘Unknown hero’, of… Read more.
The word ‘classic’ is often used to describe texts that have stood the test of time. Shakespeare is probably the reigning definitive of the term, but Henrik Ibsen, Arthur Miller and others of their ilk spring to mind. It’s rare to find an Australian playwright’s name on that list, but Michael Gow’s Away is a… Read more.
History has traditionally been told through the words and stories of men, and the Gospel is no exception. Sydney Theatre Company’s first production of 2017, The Testament of Mary, seeks to counter this by presenting a compelling, unravelling monologue from the perspective of Mary, mother of Jesus (Alison Whyte), that forefronts her maternal humanity in… Read more.
After the week we’ve had and the blow it’s been for women and minority groups everywhere, the idea of escaping to the theatre – that great equalising arena, frequent champion of love and acceptance – is appealing. So it’s a huge disappointment when there’s no relief to be found. Sydney Theatre Company’s Speed-the-Plow just picks up… Read more.
It may be time to retire The Wharf Revue. The current-events inspired sketch-style show has become something of a tradition in the Sydney Theatre Company program, and has built up a rich touring life – but, at last night’s opening night of Back to Bite You, its latest iteration, there was no real bite left in this satirical… Read more.
Sydney Theatre Company and Global Creatures have come together for one of the more exciting announcements we’ve heard in a while: a brand new Australian musical based on a beloved Aussie film. The country’s premier theatre company is staging the world premiere of Muriel’s Wedding the Musical. Writing for the Guardian, critic Luke Buckmaster said “Muriel’s Wedding… Read more.
